I have a few poets whom I have read off and on.
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It is not a genre that I turn to with preference. My first exposure to it I am not a strong fan of poetry. This is not my first reading of “Poema del cante jondo”. And about Lorca’s works-his poetry and his theatre-I am enthusiastic. I do not, as a rule, venture beyond a handful that I encountered among the well known and even then, they lie fallow for years, remembered only in brief reflection and not in a re-reading.
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makes the tightly closed flowers of the semitones blossom into a thousand petals.” This incantatory translation, every bit as revolutionary as the original was almost a century before, reconfirms what Lorca said of this work, that it is “a slammer, a wavering emission of the voice. Translator Ralph Angel returns to Lorca’s strange, unique rhythms and to the irrational, intuitive duende. A poem by Federico García Lorca written in 1921 when he was only twenty-three and had but fifteen years left to live before the Franco regime murdered him in the hills of Granada. A poem written to remind Spain of its deep musical soul, the primitive song of the Andalusian Gypsies. A poem meant to be sung, not with a pretty voice but with a cry, to break the silence and stillness of the body. Angel’s is all of these-is a welcome return to that wild dance, in this bilingual edition.”-W.S.
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A new, fresh, consistent translation-and Mr. “ Poema del cante jondo and Romancero Gitano, the books of poems that Lorca wrote first, out of his excited response to gypsy music, poetry, and dance all around him in Granada, contain some of his most powerful and trenchant lyrical work, original, inimitable, daring, and a clear expression of the duende, the Dionysian daemon in poetry, of which he wrote eloquently.